The criminal commits an unpunished crime, then the avenger restores justice by punishing the criminal. The guilty person and the avenger are in conflict for committing a fault towards the victim, who is related to both. This is the theme of one of the intrigues of which Michael is the Hero in The Godfather : Michael must avenge his father whom the Mafia tried to assassinate. The vanquished power loses its place after being defeated by the victorious enemy or being informed of such defeat by the messenger.
The lawyer claims an object in the possession of the opponent, and they fight to have it or keep it. Or, an arbitrator decides who gets the object desired by the opposing parties.
The lover and the beloved have unknowingly broken the taboo of incest through their romantic relationship, and the revealer reveals this to them. The ambitious person is ready to do anything to conquer the coveted thing, and is fought by the opponent. The jealous, victim of the cause or the author of the error, becomes jealous of the object and comes into conflict with the supposed accomplice. The perpetrator harms the victim or commits a fault or a crime then has remorse, and disagrees with an interrogator who seeks to understand the situation.
The living character must mourn the dead. Or, the living sees another character murdering a character they love. Most basic answer: build a story on it. So we take one of these structures and we flesh it out to the point of making it the guideline of a story. More complex answer: we take several of these structures, and combine them to make a complicated plot. And finally, the most complex answer of all: we take a handful of these structures, we turn them into plots in which we involve various characters, some of whom will only be involved in one plot while others will be in several, and we make a complex assembly of these intrigues to end up with a complicated story.
Think of the Prison Break series, for example: initially, Michael, although innocent, was knowingly arrested for incarceration. We then discover that he is in fact acting to escape his brother, imprisoned for a crime he did not commit. All this, from the first episode. The rest of the series will mobilize many other dramatic situations — puzzles, revenge, sacrifices, ambitions, jealousies …. Do you need storytelling services? Now academics have run computer analysis of his theory.
They can take a flying fuck at the mooooooooooooooon. A new academic study has done exactly this, and gives us yet another reason to wish the great man were still with us to share his thoughts on it and perhaps resubmit that thesis. Leave a Reply Name required Email required Message. Wordpress Hashcash needs javascript to work, but your browser has javascript disabled. Your comment will be queued in Akismet! We're hoping to rely on loyal readers, rather than erratic ads.
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